Archive for the philosophy Category

David Baker and the Art of Community

Posted in Art, Blogroll, philosophy with tags , , , on November 3, 2010 by Jack

This article originally appeared in the June 2010 issue of inGen Magazine.

Architecture is more than simply the design and building of structures for habitation and commerce. In dense urban environments, architecture becomes the environment. From the corner store to the new apartment building, the urban dweller cannot escape from the reality of the surrounding city. For the working poor, the architecture of their surroundings is often a burden, and sometimes, even a threat. For those whose only means of survival are the housing projects, their lives are often defined by the stark nature of their apartments and the crime outside their door.

The infamous Cabrini Green housing project in Chicago

This has been the reality for many people in the last half-century since the beginning of the “projects” under the Housing Act of 1937. This law established the first Public Housing Authorities (PHAs) in large cities around the United States. These PHAs built housing projects to house the working poor and the unemployed. But these massive apartment units became centralized locations for gangs and the drug trade. Over time, the “PJ’s” became synonymous with crime and gang warfare.

With the Housing Acts of 1965 and 1968, the move towards privatization of low-income housing began with the subsidization of developers and the guarantee of rent to property managers on behalf of low-income residents. The Section 8 Rental Assistance Program of 1974 further progressed privatization by giving vouchers to low-income families who could then use them in acquiring a residence of their choice. It also gave greater control to local governments in the development and administration of affordable housing. One of the goals in privatizing affordable housing was to allow the private sector the opportunity to solve local housing issues.

San Francisco has the second most dense population in the United States behind New York City. With just over 800,000 people in just under 49 square miles, housing is at a premium. Even the barest of accommodations can be out of reach for many working-class families. In response to the need for affordable housing, the City has created agencies like the San Francisco Redevelopment Agency and the SF Mayor’s Office of Housing (MOH). These agencies are working in conjunction with private architecture firms and developers to tackle the issue of creating low-income housing at a reasonable cost.

SOMA Studios and Family Apartments

San Francisco architect David Baker has been at the forefront of this affordable housing movement in the Bay Area. Baker’s firm, David Baker and Partners, has the unique ability of creating low-cost structures that combine sustainable building techniques with a high aesthetic value. Baker’s approach to urban architecture is based on the principle of “better living through density.” Data has shown the carbon footprint of an urban area is inversely proportional to its population: the higher the population per square mile, the lower the amount of energy used. One reason is people can walk or take public transportation to their destination instead of using a car; another reason is more people share the same resources, such as water and sewage systems.

With this principle in mind, Baker seeks to create better urban environments for everyone, not just those who can afford it. Working closely with the MOH, Bakers’ firm has created some of the most innovative and cost-conscious affordable housing projects in San Francisco. One such project is SOMA Studios and Family Apartments at the corner of 8th and Howard streets. The colorful geometry of this five-story building houses an eclectic mix of the young and old, from artists to immigrants. The bottom floor houses an organic food market. This combination of commercial and residential space is the key to building neighborhoods with lower carbon footprints by minimizing the distance between sale and consumption. SOMA Studios, built in 2003, was chosen as part of the SF Chronicle’s Top 10 list for architecture of the past decade.

Another project is the Folsom + Dore Supportive Apartments located on Folsom Street and Dore Alley. This innovative multi-family building serves those with special needs, people living with HIV/AIDS, and the chronically homeless. It was the first new building in Northern California to receive a LEED Silver Certification for its use of green principles in its design. The use of plants and open space in this structure create a distinctive sense of place, and this, in turn, creates a sense of pride and ownership in those who live there. When people care about where they live, they become involved with the maintenance and upkeep of their residence.

Folsom & Dore apartments

Baker achieves sustainability in his projects, he says, by “minimizing energy expended in the manufacturing process.” This includes choosing materials that combine low-cost functionality with high-impact aesthetics – integral color concrete, for instance. The use of local artisans and designers allows for the variety and individuality necessary to create the personality of a vibrant community. This in turn puts money back into the local economy as well as minimizes the energy consumed to get materials from where they are fabricated to the actual project site.

Across San Francisco, Baker’s designs have brought color and playfulness to areas once smothered by decrepit tenements and crack hotels. Instead of gentrifying the neighborhood into high-market condominiums for the wealthy, though, these projects are serving the people who call these neighborhoods home. Compare SOMA Studios with the Soviet Bloc-style architecture of traditional housing projects and it’s clear to see why David Baker is part of a revolution in transforming our urban landscape.

The Art of Storytelling

Posted in philosophy with tags , , on April 6, 2010 by Jack

All communication is storytelling. I recently had this revelation that all acts of communication whether they be profound or mundane are all forms of storytelling. The goal of communication is to impart information to someone else. Most communication strives to correlate itself with reality. Let me tell you what happened today. Let me tell you how to work this program. But all language can ever hope to do is point towards the truth of reality; it can never be reality itself, it can never be truth in and of itself. It is the most powerful guide to the truth that we as a species have, but all communication is ultimately a story told by one person to another.

For all the knowledge a mind can acquire, it has difficulty explaining that which is beyond words. The perception of any experience is made up of sights, smells, sounds, emotions, thoughts and memory. As time passes between the mind’s attention to an experience and the actual experience itself, the mind creates more and more thoughts, commentary and judgements on the original experience. When this person then relates this experience to someone else, the explanation is wrapped in that person’s own critique of the event. Therefore, one is never given the truth of an event but rather an impression of it based on a person’s reinterpretation of that original moment. One can only hope the story is accurately portraying the event.

Some people are excellent storytellers. Each anecdote passed along is pleasurable for the way it was told as much as for the actual knowledge shared. Many people have difficulty expressing themselves and their lack of communication skills can often hide the truth they so desperately want to share. The limitations of communication creates the boundary between two people truly understanding each other. In rare occassions, we are fortunate enough to meet someone with a similar outlook and mental framework as ourselves, and these relationships provide us with small amounts of the understanding we, as social creatures, crave. But for the most part, communication is diluted by the limits of language and context on the speaker’s side and the ability to truly listen without prejudice on the listener’s side.

The art of communication is the ability to open one’s self to the listener, to understand where he or she is at, and then to carefully use words or pictures or art to reach out and connect to him or her. The burden of communication is on the person speaking, even though the listener stands an impenetrable wall of preconceived thoughts and beliefs. Many people are unable to listen, they can only hear what is comfortable to them, what is palatable, the rest is blocked out as if it had never been spoken. In these cases, it is important to understand that communication is just storytelling: telling a story that strives to create a bridge of understanding between two people.

Random thoughts: harmonics, ratios and dark matter

Posted in Music, philosophy, quantum physics with tags , , , , , , , on November 13, 2009 by Jack

I’ve been playing a lot with harmonics lately with DJing. I have a less than precise ear, so I use a program (Virtual DJ) to name the keys of the tracks for me. I then discovered the Camelot system for mixing keys. Since I’ve really been into melodic tech house lately, it’s really opened my eyes (and ears) to the beauty of music. Harmonics are the ways the frequencies of certain sounds interact, creating the beautiful and sometimes challenging chords found in most music.

String harmonics

Something I found of interest as I researched this subject regards the sound wave interval known as the Fifth. The ratio of these two sounds is 3:2 (i.e. 385 Hz and 256 Hz, which are G and middle C, respectively). The harmony of the two is unmistakable. What is even more interesting, though, is that this ratio is known in mathematics as the golden ratio. The Greek mathematician Euclid was the first to write about it almost 2400 years ago. Since then, this ratio is seen in nature, architecture, and, of course, music. There are numerous books and websites available to find out more about this.

Fibonacci Spiral

But this makes me wonder: before the universe as we know it was created, did this ratio exist as we know it today? Or, to make an abstract: did the laws of physics already exist say in the milliseconds after the Big Bang? If it did, this implies a pre-existing intelligence who devised all the rules before the universe began. But, what if instead, the laws of physics came about as they became necessary. As the subatomic soup of the early universe began to coagulate, react and bond, the rules of how these new particles would interact became the reality. There could have been an infinite amount of ways these particles could interact, but because of their proximity, the demands of this new relationship required that one rule be chosen. And perhaps as we see in biological evolution, the choice wasn’t the best, but the one that would work in the moment for the relationship to continue.

Dark Matter Ring

And now we have the universe as we know it. So what about the relationship between dark matter, which makes up almost 25% of the universe, and the electromagnetic spectrum (something like 5%) we know and love. Perhaps the only relationship that was necessary between the two was that of gravity. My mind hums with excitement when I think of the what exactly lies within this unknown realm of dark matter. As we continue to study it, the rules of dark matter, too, will become apparent, and, undoubtedly, will reveal the same beauty that exists within all relationships – whether they be two notes on a piano, or two realms of our universe.

Charles Bukowski & Burial: More than a Mash-up

Posted in Music, philosophy on August 25, 2009 by Jack

I found this video on Vimeo and I don’t think I’ve ever seen a more perfect synchronization in the cut and paste culture. Both Bukowski’s poem and Burial’s track are deep on their own, but together, they sink down through the layers of skin and bone and pour into the hidden well we keep buried beneath the tectonic plates of persona, washing away the memories and emotions tossed down into the darkness like wishes.

The new mash-up culture should try to be more than just about being clever. When the context is stripped away and then reformed, like solid planets built of liquid stars, the implication is that our individual creative bursts are not solitary ripples in the vast space of existence, but instead, each creative act is a reference point for the other, creating a fabric that only becomes more rich as we adapt new forms of technology to tell our tales.

Ultimately, we will begin to see that all creativity pulses from the same subtle current. The revelations of unlikely sources reveal that the labels of distinction we use to create distance are the illusions of our imagination. If viewed carefully enough, there is but one creative act.

My interview with artist David Best for inGEN magazine

Posted in philosophy on August 5, 2009 by Jack

The August issue of San Francisco’s new music and culture magazine, inGEN, has just been released. For this issue, I had the honor of interviewing David Best, an artist best known for his Temple projects at Burning Man. It’s been a while since I’ve been to BM (about 5 years now) but The Temple is something that has always had a profound impact on me, and the images of the Temples I experienced still remain fresh within my memory.

About a year ago, I was thinking about how society would be structured in a post-religious world. By this, I mean a world that has evolved beyond the need for religious institutions. My problem with most religions is that they act not as guides to the individual to help that person follow his or her own path, but instead, the religious organization acts as an authority, proscribing stale dogmas and rituals, and, above all, demanding the individual to conform to this or that system.

Every individual perceives the world in a distinctly unique way. An organization requires a certain amount of uniformity amongst its people. To conform is, in a way, to become less. Instead, it seems an organization that truly seeks to show someone the path to truth, whatever that truth may be, must itself conform to the needs of the individual. It must be fluid, passive, and above all, conscientious of its actions. This relationship between the organization and the individual creates a condition in which the individual must be responsible for his or her self, rather than abdicating that responsibility to the unquestionable laws of the religious “leader.”

With or without these institutions, the human condition will persist. Suffering, conflict, loss – these are all truths within the human experience. People will still need a place of refuge to find solace, peace and a space to reflect. Religious buildings do provide this to a certain degree, but the requirement of these places ask the person to seek a connection to something which is outside that person: an ideal or concept that has been created by the traditions and language of that particular lineage. It seems that for a person to truly grow, to evolve consciously or spiritually or whatever, instead of searching externally for answers, one should examine the self: the thoughts, emotions, and beliefs that form the perceptions that are at the root of suffering.

Therefore, a space that is conducive for self-reflection must balance the beauty of aesthetics without succumbing to the temptations of piety and ritual. The structure should allow a person a space to go and gain from it whatever it is they require, whether that be prayer, meditation, social connection, or just a moment of peace from whatever reality he or she subscribes to.

The Temples that Best has built seem to follow this same idea. His goal is to simply provide something for people who don’t have anything. It’s relatively easy to give someone funds or guidelines or encouragement, but that doesn’t necessarily facilitate change. A space that places no requirements or expectations, nor seeks to teach or preach or make a statement upon anyone who enters, becomes a place that truly serves the needs of the person. This new paradigm in design seeks to move beyond our current skylines built of monuments to the ego, and instead seeks to become the architecture of compassion.

The Blueprint is Bleeding

Posted in philosophy on April 28, 2009 by Jack

The exposure of the illusion that is our financial markets has ruptured the very core of the American Reality. The macro-disaster of a system whose tendrils reach into the very hearts and dreams of the individual has created slowly expanding fissures in the perception of every person whose belief system is based upon acquisition, accumulation and maintenance of the AmericanĀ  facade. The American Dream is to live in a dream that is constructed by the materials of a consumer-based economy. Who you are is subservient to whom you appear to be.

If we are no longer able to acquire, what then is our purpose as a culture? If we are no longer have the tools to maintain our skyscrapers of sand, then what is the individual to do?

The societal neurosis that has been placated through the numbing effects of consumption and informational inundation will now be left unfettered. If this process is left unchecked, the behavior of the society will most certainly devolve into manifestations of the uncontrolled subconscious: acts of violence and the inevitable reaction to these acts.

A new reality must supplant the illusory kingdom. A reality that is based upon being human, not trying to be a concept of what we think a human is supposed to be. A new community must be formed from the fragments of the self-serving, predatory and competitive social structures we see crumbling before our eyes. Look what the old ideals have wrought: economic bubbles, irreparable environmental damage, and exponential mental deterioration.

There must be no more ideals. There is nothing to strive for. There must only be the examination of what is. And what is? Relationship: the relationship we have with ourselves, with our neighbors and with the world at large. Only from this starting point can we hope to create a society that is capable of sustaining itself.

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